Functions of the Tape of
        Five-variation Chanting of Amitabha
      Under  the guidance of Dr. Yutang Lin
        Written  by Chun-Jane Chen
        Edited  by Ann Klein
      
      I.  The Origination of the "Five-Variation Chanting of Amitabha"
       The  Reverend Fa-Zhao, the fourth Patriarch of the Chinese Pureland   School, entered the Pureland  through his meditation; he heard Buddhas and Bodhisattvas, water, birds and  trees, all singing the Five-variation Chanting of Amitabha. Amitabha Buddha  told him that any sentient beings who encounter this Dharma treasure will want  to chant the Buddha’s name. By doing so, they will surely cross the ocean of  suffering and reach the shore of no regression in just one lifetime. Then  Buddha entrusted him to propagate this method extensively.
      However,  the music score as dictated by the Reverend Fa-Zhao had been lost for ages. Fortunately,  in the 1930’s, the Reverend Guan-Ben researched this matter and found two brief  descriptions of that music score in the Japanese Tripitakas. Based on such descriptions,  the Reverend Guan-Ben composed his own version, and disseminated that melodious  chanting in order to bring about the ultimate salvation of all sentient beings.
      In  recent years, the Reverend Fa-Zhen rearranged this score, and with the accompaniment  of the piano, the chorus of the Yuan-Guang Buddhist Institute taped it for  circulation. However, it is designed for the morning and evening services,  therefore, it contains praises at the beginning and dedication of merits at the  end of the tape.
      II. Special Characteristics of this Tape
      Dr. Lin designed this tape for the daily practice of  continuously chanting "Amitabha," and to assist dying persons to  maintain the chanting during their final hours. He adopted the Reverend Fa-Zhen’s  tape, but omitted the praises and the dedication of merits. He recorded only  the chanting of Amitabha, repeatedly, on a 90-minute cassette. Dr. Lin felt  that the 60-minute cassette needed to be reversed too frequently, and the  120-minute cassette was too thin and could break easily.
      III. How to Utilize this Tape
      Listen to it anytime, anywhere, and sing with it to  keep a constant flow of "Amitabha" in your mind. Through singing the Buddha’s  name, it is easier to release one’s feelings into it; and it will also help one  achieve single-mindedness naturally.
      By  playing this tape at home frequently, the atmosphere will become harmonious and  peaceful, and the Buddha’s name will be implanted deeply into the hearts of the  family. It is especially helpful in teaching children to chant, because when  they are used to hearing it, they will sing it spontaneously. This tape could  also be played as a lullaby.
      
        For  the group-practice of chanting "Amitabha," this tape can be played as  an accompaniment. When people get tired from chanting, they could just listen  to it attentively.
        During  an illness, one can listen to this tape to feel calm and peaceful; the karmic  obstacles will gradually be removed, and one’s health will be restored sooner.
        During a dying person’s final hours, it is  not easy for friends to gather to help with chanting, therefore, this tape can  be played continuously to help maintain one’s peace.
      
       I  sincerely wish that people would duplicate and circulate this tape and article  freely, so that more sentient beings will be able to share the benefits and  eventually gain rebirth in Amitabha’s Pureland.
      December 1, 1990
      
      
      
      
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